Sevilla,
It is a classic form and very usual to have a bead in the narrowest part of the long sweeping curve, but I think you've made two mistakes. The bead is too big, a smaller bead would look more attractive and the bead and foot are both different woods to the main vase.
I'm guessing you've wanted to give the form more height, to do that you've turned a foot and used the bead to obscure the joint. The lines are right but the constant changes in timber makes it look wrong.
Shame because it is a very well turned shape.